Conservation Picture Framing

Framing at the standard your work deserves

Bespoke frames built to gallery specification — conservation mounting, museum art glass, and mouldings in many styles and colours, cut and joined by hand in our London workshop.

Frame & Fortune
Conservation framing, mounting & glazing
Museum-grade materials · Est. London
Large abstract acrylic painting in a black tray frame, hung in a client's stairwell
Abstract, acrylic on canvas — black hardwood tray frame frameandfortune.uk
01 Conservation-grade mountboard 02 Museum art glass, 99% UV 03 Mouldings in many styles & colours 04 Installation on request
Framing

Multiple mouldings available in many styles, sizes and colours

Corner samples
Every profile is viewed in hand, against your work
Cut & joined by hand in our workshop
Selected Work

Recently framed, recently hung

In situ
Works photographed in clients' homes and collections
All pieces framed by the studio
Large abstract acrylic painting in a black tray frame, hung in a stairwell beside an acoustic guitar
Abstract, acrylic on canvas
Black hardwood tray frame, shadow-gap fit
Private collection, London
Signed limited edition photographic print in a brushed silver frame with a wide double mount
Edition print, 1 of 20, signed
Brushed silver moulding, double conservation mount, museum art glass
Private collection
Signed edition photographic print in a bronzed gilt frame with a wide ivory mount, photographed at an angle on a grey wall
Edition print, signed
Bronzed gilt moulding, wide ivory double mount, UV art glass
Private collection
Glazing

The glass is half the frame

Most framing fails at the glazing. We specify gallery-grade art glass as standard on conservation work — near-invisible, anti-reflective, and blocking 99% of UV light, so the work you frame today is the work you own in thirty years.

Standard float

The standard for most framing. Available in 2mm and 3mm float glass.

Thickness
2mm or 3mm

UV conservation UV99

Artglass UV 99 blocks 99% of harmful UV rays, helping prevent fading, the yellowing of photographs and paper becoming brittle. It looks like regular glass, but its 99% UV block makes UV damage nearly impossible. We recommend it for framing jobs that need the ultimate UV protection.

UV block
99%
Reflection
~8.0%
Visible light transmission
>89.0%

Art Glass AR70

Artglass AR 70, on a low-iron glass substrate, guarantees true colours while its invisible magnetron-sputtered coating virtually eliminates reflection. An effective choice for invisible displays where UV exposure is minimal. With its smooth surface and increased transmission, we recommend it for photography and print glazing.

UV block
70%
Reflection
<1.0%
Visible light transmission
>98.3%

Best forEditions & photography

Acrylic

Great for use when you have safety concerns with glass.

Museum acrylic

Artglass Lifetime Acrylic is a premium anti-reflective acrylic glazing designed for the most precious artworks and memorabilia. It provides up to 100% protection from UV rays, preserving your artworks for a lifetime and beyond. We recommend this durable product for artworks with high monetary or sentimental value, and for travelling exhibits that benefit from safer, easier transport.

UV protection
99%
Reflection
<1.0%
Light transmission
>98%
Shatter resistant
Yes
Anti-static
Yes
Colour of reflection
Neutral green
Size accuracy tolerance
±2mm

Best forPrecious artworks, travelling exhibitions, seismic zones

Figures are manufacturer specifications for the Artglass products we stock. We'll recommend the right specification for each work at consultation — and tell you when the simpler option is the right one.

Process

From consultation to the wall

Typical turnaround
Two to three weeks; expedited on request
Installation quoted on request
I.

Consultation

Bring the work, or we'll come to it. We view every piece and discuss how and where it will live.

II.

Specification

Profile, finish, mount, and glazing, all hand selected and quoted in full before we begin.

III.

Making

Cut, joined, finished, and fit by hand in our workshop by professionals.

IV.

Installation

If you need help with installation we can quote to complete the service.

Signed edition print in a bronzed gilt frame with a wide ivory mount, hung on a client's wall
The Studio

A workshop run to gallery discipline

Frame & Fortune was founded on a simple observation: most framing is built to a price, and it shows. We built a workshop to the opposite brief — the materials, methods, and finish you'd find behind a major gallery exhibition, available to anyone with a work worth keeping.

We frame for collectors, artists, photographers, galleries, and interior designers — single works and full collections. Everything is made in-house, by hand, and checked against the same standard: would we hang it in a show?

Trade & gallery accounts
Exhibition framing, edition runs & collection care
Enquire for trade terms
Contact

Bring us something worth framing

Consultations are free and without obligation — at the studio, or at your home, gallery, or office by appointment.

Studio
London — address & directions on enquiry
Hours
Tuesday–Saturday, 10:00–18:00
and by appointment
Trade
Gallery, artist & designer accounts available